In addition to having all the elements of a narrative, such as plot, characterization, and setting, a narrative poem also features a consistent rhyme and meter scheme.
The characteristics of the play which can include the set, characters, lighting, sound, and even the performance venue are vital to the overall enjoyment of a plays production and performance.
When all of these are done just right, the audience can enter a world where their emotions have the power to override reality.
In the play The Cuban Swimmer by Milcha Sanchez-Scott, there are three big factors in the overall intensity of this piece of drama.
These include the language and ethnics of the play, the tempo and rhythm of the play, and finally the use of religious symbolism and metaphor. The language in this play centers mostly on the spoken language of Spanish, which consequently adds a very ethnical feel to the whole play itself. For at least two-fifths of the play the printed language is Spanish.
This adds a ethnic feel for the play and brings the audience closer to the Suarez family and their daily life and struggles. Another factor in the intensity and overall audience and reader enjoyment factor in this play is the tempo.
This marks the end of scene two and the tempo is put back at a regular rate because the family prays that Margarita can finish her contest. This happens again for scene three with the conflict and rising action only to be lowered before the black out at the end of the scene.
The rhythm of scene three and also on in the rest of the play are also vital and connected with that of the art of swimming. However, in scene Four the conflict is high tend and yet lowered by Aida explaining the trip from Cuba to America to her husband who really pays no attention to her because he is more focused on Margarita living his dream.
This adds an exciting blend of drama and chaos which pulls off a brilliant combination of real theater. But like the play scene five goes back to being one of the heightened actions where Margarita is tired and becomes lost at sea.
Scene six has another shallow and sultry tempo where the family and most especially Simon tell about how much Margarita means to them. Finally in scene seven the play reaches its closing and conclusion where the family is relieved to hear that Margarita gets out well and ends up winning the contest.
With this play the tempo is one like that of a heart rate meter in the hospital. There are many ups and downs and some breaks near the end but leave a steady beat at the end. Finally one must notice in this play that the use of religious symbols and metaphors in the play are vital to the overall meaning of the play.
With the embargo, Cubans are going through a very hard time, so they need something to speak to them — and that something is religion.
Another huge religious moment in the play is with Margarita supposedly dying and reciting the Hail Mary prayer while telling herself and giving herself confidence at the near end of the play.
In conclusion The Cuban Swimmer tells the story of a father who uses his daughter to gain his own dream, even if it meant making her have close calls with death. This play uses elements of drama, humor. However this is done with the help of three main reasons: Works Cited Mills, Glen.
Approaches to Fiction, Poetry, and Drama.Dramatic structure is the structure of a dramatic work such as a play or leslutinsduphoenix.com scholars have analyzed dramatic structure, beginning with Aristotle in his Poetics (c.
CLICK HERE For Many FREE Sample Film Scripts. Learn About Movie Script Writing By Reading These Famous Movie Script Examples. CLICK HERE For Many FREE Sample Film Scripts. Learn About Movie Script Writing By Reading These Famous Movie Script Examples. Film Script Writing – Screenwriting Tips & Advice. Action, Drama, War. The Big. Essay of Dramatic Poesie is a work by John Dryden, England's first Poet Laureate, in which Dryden attempts to justify drama as a legitimate form of "poetry" comparable to the epic, as well as defend English drama against that of the ancients and the leslutinsduphoenix.com: John Dryden. STRONG NARRATIVE ESSAYS are always moving. They start with action–the narrator snowboarding with the Aspen Ski Patrol, for example, then deepen the scene with descriptions–the dry powder, the steep bowls, the late January sky.
This article looks at Aristotle's analysis of the Greek tragedy and on Gustav Freytag's analysis of ancient Greek and Shakespearean drama. STRONG NARRATIVE ESSAYS are always moving.
They start with action–the narrator snowboarding with the Aspen Ski Patrol, for example, then deepen the scene with descriptions–the dry powder, the steep bowls, the late January sky.
Dramatic techniques include literary devices and staging elements determined by the playwright, director or stage manager. Dramatic techniques are used by a playwright to enhance the emotional, aural, and visual experience of the audience and to underline a script's meaning, according to David.
Whether you are writing science fiction, a suspenseful thriller, an action-packed adventure, a dramatic tearjerker or a side-bending comedy, understanding how action works to move the story forward is vital. In a nutshell, John Dryden in his essay, An Essay on Dramatic Poesy, gives an account of the Neo-classical theory.
He defends the classical drama saying that it . Narrative poetry represents a genre of poetry that tells a story. In addition to having all the elements of a narrative, such as plot, characterization, and setting, a narrative poem also features a consistent rhyme and meter scheme.
Dramatic poetry is a drama written in verse, and it is either spoken or sung.